My design philosophy has always been the
‘Atelier-Way-of-Working’. That means that I hand-make my
own colours, materials, and models and in doing so create
new and unique shapes and forms. I have an eye for detail,
and working by hand allows me to achieve that precision –
whether it’s finding that exact shade of fluorescent pink
or slightly tweaking the proportions of a seat for a more
comfy sit.
Colour is my truest passion. It’s at the heart of what I
design and something I like to toggle with from start to
finish. Colour, and with it ideas of transparency,
layering and grids have the potential to add so much
dimensionality to a piece – it’s so much more than just
the icing on the cake!
Nature is a big inspiration for my work. I like to say
that flowers can never be too vulgar, no matter how bright
they are. So that’s something I’m constantly challenging
myself to further explore: how can I incorporate these
bold colours whilst still achieving a sense of refinement?
I’m certainly no stranger to a touch of fluorescent – in
fact, it’s almost become a signature. It used to be a real
challenge to produce these fluorescents in different
materials but over time and with the introduction of
colour-fast inks, it’s increasingly achievable. To say I’m
pleased is an understatement.
I’ve been fortunate to work with prestigious brands and
museums – all of which have their own unique ethos and
history. Understanding this
DNA and
exactly what each brand stands for is my starting place
and a great source of inspiration. When collaborating, I
strive for a finished product where we can honestly say
that we see reflections of both our identities.
